Movie Review: Cinderella (1950)

Title: Cinderella
Release Date: March 4, 1950
Director: Clyde Geronimi, Hamilton Luske, & Wilfred Jackson
Production Company: Walt Disney Productions
Summary/Review:

Well, I’ve gone and done it!  I’ve watched every single Walt Disney and Pixar animated feature film.  I saved one of the most famous for last. Cinderella essentially made the Walt Disney Company as we know it today (or as we’ve known it for most of the past 70 years because the company has changed considerably in just the past decade) inaugurating a new golden age of animated films, ventures into television, and ultimately theme parks.  Cinderella Castle towers over the Magic Kingdom in Florida to remind you of the film’s importance.

Cinderella may also be one of the best known fairy tales outside of the movies, so I figured I knew the basic plot.  What surprised me in the Disney version is that the movie is told largely from the perspective of two mice, Jaq and Gus.  The first 20 minutes of the movie is almost all about the exploits of the household mice with Cinderella as an incidental background character.  It’s both a daring storytelling choice but ultimately a bit off-putting.  I just kind of wanted the Cinderella’s story to get started already.

While I had no idea the movie so prominently featured mice, I was well aware of the Fairy Godmother and her famous song “Bibbidi-Bobbidi-Boo”.  So I was surprised that the Fairy Godmother literally appears in just one scene and there’s really no explanation for her existence other than to get Cinderella to the ball.

The movie is well animated and the music is solid and the mice are cute, but something about Cinderella just feels off.  I think Sleeping Beauty, a movie considered less successful than Cinderella, did a much better job with mixing story, character, humor, and drama.

Rating: ***

Movie Review: The Lion King (1994)

Title: The Lion King
Release Date: June 24, 1994
Director: Roger Allers & Rob Minkoff
Production Company: Walt Disney Pictures | Walt Disney Feature Animation
Summary/Review:

I first saw The Lion King in the movie theaters with a group of college friends and we all had an enjoyable time and loved the movie.  Oddly, I didn’t see another Disney animated film in the theaters until Moana 22 years later (although I did see plenty of Pixar films).

The Lion King draws upon Shakespeare’s Hamlet (and possibly a Japanese anime series) for inspiration, but this is the first Disney animated feature that’s not an adaptation of another work and I think it was very freeing for the creators.  They were able to create a universe within the wilderness of Africa to tell a story of love, betrayal, and redemption.  And I think this may also be the first Disney movie with no human characters.

The opening scene with Simba’s presentation is perhaps the most awe-inspiring animation Disney has ever created. And having it all end with a dramatic sting and the movie’s title is a bold choice before beginning the movie proper.  The Lion King strikes the right balance of humor, drama, romance, and adventure.  And the music drawing on African traditions is amazing.  Elton John as composer was an odd choice (and the beginning of a trend of pop artists composing soundtracks for animated movies), but even if his songs do get a little cheezy at times they are definitely memorable.

The Lion King is a great film that I believe will continue to reward viewings for quite some time.

Rating: ****1/2

Movie Review: Aladdin (1992)

Title: Aladdin
Release Date: November 25, 1992
Director: John Musker & Ron Clements
Production Company: Walt Disney Pictures | Walt Disney Feature Animation
Summary/Review:

I missed Beauty and the Beast when it came out and didn’t see it until years later, but I have good memories of seeing this movie in the theater with my sister.  The big attraction for Aladdin was Robin Williams as Genie.  Even kids who had no idea who Ed Sullivan and Senor Wences were enjoyed Williams many celebrity impersonations and overall manic performance.  It was the first time a big-name movie star voiced a character in a Disney movie and it would not be the last.  I suspect the animators had a lot of fun animating Williams’ bits especially the constant flow of gags in the songs “Friend Like Me” and “Prince Ali.”

Speaking of songs, the movies of the Disney Renaissance were known for their great music, and The Little Mermaid and Beauty and the Beast sold a lot of soundtracks and earned Oscars and Grammies.  But it was Aladdin that made a full assault on the music charts.  If you were not around in 1992-1993, I can’t begin to explain the inescapability of the movie’s love song, “A Whole New World,” in the aural soundscape of the time.  Perhaps only “Let It Go” from Frozen could compete with the utter ubiquity of a Disney movie song.

I hadn’t watched Aladdin in a long time, and mostly only remembered the Genie parts.  I was impressed that overall the movie is very funny and clever.  Aladdin (Scott Weinger) and Jasmine (Linda Larkin) are well-characterized and likable characters and while their romance may be swift it is believable. The themes of being true to oneself and escaping imprisonment (real and metaphorical) are well-done. Even Gilbert Gottfried – who usually annoys me – is pretty funny as the sardonic parrot Iago.

If there’s a downside to Aladdin it is that it relies on some tired stereotypes of Arabic people.  Also, the casting of Aladdin and Jasmine makes them sound like white teenagers from an American suburb rather than from the Middle East. To its credit, the Disney company has gotten better about cultural sensitivity and representative casting in recent years in movies like Moana. But it would’ve been revolutionary if they’d offered more positive representation of Arabic people and culture in 1992, especially so soon after the Persian Gulf War.

Rating: ****

Movie Review: The Little Mermaid (1989)

Title: The Little Mermaid
Release Date: November 17, 1989
Director: Ron Clements and John Musker
Production Company: Walt Disney Pictures | Walt Disney Feature Animation | Silver Screen Partners IV
Summary/Review:

I don’t know what the experience was for moviegoers who saw Snow White and the Seven Dwarfs on the silver screen in 1937, but I can tell you that there was an incredible buzz in 1989 when The Little Mermaid was released.  Disney was back.  Growing up in the 70s and 80s it was hard to see the classic Disney animated features which you might see in a theatrical rerelease, or the Wonderful World of Disney or on the Disney Channel, but generally as a Gen X kid you just kind of knew these movies existed without actually seeing them. By the late 80s, Disney started trickling out VHS releases of classic films, but it was the Millennial kids who’d get to watch them over and over.

As for the movies Disney released during the 70s and 80s, this was a well-documented down period for the animation studio, although The Rescuers was a hit and I have a personal soft spot for The Fox and the Hound. The reputation of Disney movies during this time was that they were “kiddie movies.” Teenagers, and even older grade-school children would turn their noses up at them.  The Little Mermaid was different.  It was a movie audiences of all ages enjoyed.

One thing that set this movie apart is the music by Alan Menken and Howard Ashman. Teenage boys more macho than me at my high school enthusiastically admitted that they loved the songs.  The calypso numbers by Sebastian the crab ( Samuel E. Wright), “Under the Sea” and “Kiss the Girl,” were the gateway, tying into the World Music trend of the late 80s. All of the songs fit into to the story following the Broadway musical model, and the soundtrack proved very popular.

The animation for the film is also excellent, looking better than any Disney movie had for decades.  The aforementioned musical numbers “Under the Sea” and “Kiss the Girl” are particularly spectacular in the use of various marine life and visual gags.  The fluid mermaid movements of Ariel (Jodi Benson) and her hair are also spectacularly brought to life in animation.  While Ariel’s dream of marrying a prince may not be a particularly feminist plot, her characterization is more realistic and relatable than previous Disney portrayals of young women.

I hadn’t watched The Little Mermaid in a long, long time, and I was pleasantly surprised at how fresh and funny and just downright entertaining it remains after all of these years.

Rating: ****1/2

Movie Review: Sleeping Beauty (1959)

Title: Sleeping Beauty
Release Date: January 29, 1959
Director: Clyde Geronimi
Production Company: Walt Disney Productions
Summary/Review:

In the public imagination, Sleeping Beauty is what people imagine Disney films are like (or at least they did until more recent years): a fairy tale story where a princess survives dangers to find true love with her prince.  Sleeping Beauty Castle was even given prime real estate in Disneyland (which opened four years before the movie was released!). The reality is that after this movie performed poorly at the box office, Disney waited a whole 30 years before making a fairy tale princess movie again with The Little Mermaid. The Disney Princess marketing angle wasn’t even introduced until the 2000s!

The movie is good enough and competently-made but nothing jumps out as exciting.  While the characters and their movement are excellently animated, it strikes me as odd that the movie relies on rather flat backdrops which make it look cheaply-made.  Although there are moments when the characters are frozen against those backgrounds that look like woodcuts, so maybe that was what they were going for.

Despite being referred to in the title, Princess Aurora (alternately Briar Rose) is not the main character of the movie.  The protagonists are the good fairies Flora, Fauna and Merryweather who are responsible for just about every action in the movie, or at least reactions to the villain Maleficent.  Even when Prince Phillip is charged with rescuing Aurora, it is the fairies who are helping out along the way.  So let’s have a Disney live action remake called The Good Fairies that focuses on their stories.

Rating: ***

Movie Review: The Many Adventures of Winnie the Pooh (1977)

Title: The Many Adventures of Winnie the Pooh
Release Date: March 11, 1977
Director: John Lounsbery & Wolfgang Reitherman
Production Company: Walt Disney Productions
Summary/Review:

I’m surprised that I’ve never reviewed this movie before because I put it on a lot for the kids when they were little.  Granted, I did often use that time to take a nap on the couch, but that doesn’t mean I don’t love the adventures of Pooh and his friends.  I’m a fan of A.A. Milne’s classic books and the movie is not exactly a great adaptation.  And yet it ends up being great in it’s own way, even with the parts that are “not in the book.’

I love the voice work of Sterling Holloway and Paul Winchell.  I love the songs by the Sherman Brothers. I love the way the characters interact with the pages of the book.  I love the way that Owl’s house sways in the wind.  I love the drug trip of “Heffalumps and Woozles.”  I love the bee that laughs at Pooh.

It’s amazing that one of Disney’s most consistent films is actually an anthology consisting of three shorts made over the course of a decade.

Rating: *****

See also:

• Movie Review: Winnie the Pooh (2011)
• Book Review: The Tao of Pooh by Benjamin Hoff

 

Movie Review: Finding Dory (2016)

Title: Finding Dory
Release Date: June 17, 2016
Director: Andrew Stanton
Production Company: Walt Disney Pictures | Pixar Animation Studios
Summary/Review:

I know I watched Finding Dory, but for some reason I didn’t review it on this blog.  Watching it again there were big parts of the movie I didn’t remember at all (I know, ironic, considering Dory’s condition) especially the conclusion when Hank the Septopus (Ed O’Neill) is driving a truck and crashes while a Louis Armstrong tune.  Did I not review this movie because I didn’t finish watching this movie? Did I fall asleep?  I hope not.

Anyhow, I’m glad I got to rewatch this sweet gem.  Dory (Ellen Degeneres) works through her short-term memory loss by trying to find her parents. The search leads her the fictional Marine Life Institute on the coast of California. There she meets and is helped by cranky Hank, Destiny the Whale Shark (Kaitlin Olson) and Bailey the Beluga Whale (Ty Burrell).  Marlin (Albert Brooks) and Nemo (Hayden Rolence) follow along and try to catch up to their friend Dory, learning to be more like Dory in the process. And we meet Dory’s parents, voiced by Diane Keaton and Eugene Levy.

This movie is more of spinoff than a sequel to Finding Nemo, and it makes good use of the undersea universe to tell a fresh, funny, and heartwarming story.  I especially like that Dory and most of the animals at the Marine Life Institute have a disability and the movie serves as a metaphor of how people live good lives with disabilities without being heavy-handed about it.

Rating: ***1/2

Movie Review: Treasure Planet (2002)

Title: Treasure Planet
Release Date: November 27, 2002
Director: Ron Clements & John Musker
Production Company: Walt Disney Pictures | Walt Disney Feature Animation
Summary/Review:

I’ve heard of steampunk and cyberpunk, but I guess this movie is sailpunk, since it involves sailing ships traveling through space.  The retelling of Treasure Island in an alien setting has some fun features: Jim Hawkins (Joseph Gordon-Levitt) goes skysurfing, John Silver (Bryan Murray) is a cyborg, the captain is the anthropomorphic cat, Captain Amelia (Emma Thompson), and a shapeshifting creature named Morph (Dane Davis).

But outside some impressive visuals, Treasure Planet doesn’t go far enough in reinventing Robert Louis Stevenson’s story as a space opera (and believe me, I just watched Treasure Island and Muppet Treasure Island, so I’m very familiar with the basic plot points that are repeated in all three interpretations. The movie soundtrack also features songs by John Rzeznik of the Goo Goo Dolls that does nothing but date the movie to the early 2000s.

Treasure Planet isn’t bad, per se, but it had the potential to be so much more if the filmmakers had embraced the weirdness rather than playing it safe.

Rating: **1/2

Movie Review: Meet the Robinsons (2007)

Title: Meet the Robinsons
Release Date: March 23, 2007
Director: Stephen Anderson
Production Company: Walt Disney Pictures | Walt Disney Animation Studios
Summary/Review:

Lewis (Jordan Fry), a 12-year-old orphan with a talent for inventing, creates a device that scans the mind for lost memories. After the memory scanner seemingly fails at a science fair, a 13-year-old time traveler from the future named Wilbur Robinson (Wesley Singerman) tells Lewis he needs to protect the device from the Bowler Hat Guy (Steve Anderson), a literal cartoon villain with a twisted mustache. They travel to the future where Lewis meets Wilbur’s large and eccentric family while continuing to fight against the Bowler Hat Guy. Lewis finds himself with a feeling of belonging for the first time ever with the Robinsons, although naturally he cannot stay in the future.

There are a number of fairly obvious twists in the plot and some dark moments involving the sentient bowler hat.  The movie tries hard to be clever but it often misses the mark, and I found myself groaning more often than laughing. The whole film seems like a failed attempt by Disney to make a Dreamworks-style animated film. The whole thing stinks of self-congratulatory mediocrity.

Rating: **

Movie Review: Fantasia 2000 (1999)

Title: Fantasia 2000
Release Date: December 17, 1999
Director: Don Hahn, Pixote Hunt, Hendel Butoy, Eric Goldberg, James Algar, Francis Glebas, and Paul and Gaëtan Brizzi
Production Company: Walt Disney Pictures | Walt Disney Feature Animation
Summary/Review:

Produced by Roy E. Disney to fulfill his uncle Walt’s vision of Fantasia as a running series, Fantasia 2000 is a “meh” follow-up to the original classic. The animation for many of the segments is uninspired although there’s some basic weirdness such as flying whales in the Pines of Rome and flamingoes playing with a yo-yo The Carnival of the Animals, Finale. The absolute standout segment is Gershwin’s Rhapsody in Blue featuring the intertwining lives of characters in Jazz Age New York City drawn in the style of Al Hirschfield. The movie also includes The Sorceror’s Apprentice from the original Fantasia.

The segments are introduced by celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, and Angela Lansbury in a cutesy, ironic, 90s style that feels very dated. In hindsight it’s also unsettling to see the Chicago Symphony Orchestra conducted by notorious sexual abuser James Levine. Much like the original, this movie may best be enjoyed by focusing on individual segments, but it seems underwhelming as a feature film. Let’s hope that Fantasia 2060 is much better.

Rating: **