I’ve always been amazed by how Britain protects the rights of walker/hikers to cross land that’s privately owned. Whereas in the US, one is liable to be shot for doing so.
If you’ve ever heard the legend of the New Jersey Devil, you imagine it as a cryptozooligical creature inhabiting the Pine Barrens. Turns out that the story originates instead with a 17th-century colonist named Daniel Leeds who published an almanac that ran afoul of the Quaker authorities!
A video podcasts explores the effort to let future generations know that something is dangerous without using language or symbols that won’t be understood.
Title: The Incredibles Release Date: November 5, 2004 Director: Brad Bird Production Company: Walt Disney Pictures | Pixar Animation Studios Summary/Review:
On the flight home from our honeymoon in Italy, my bride and were separated by Alitalia and seated at opposite ends of the economy cabin. My loss was assuaged a bit by being able to stretch my legs under the curtain into first class, dining on wine and cheese, and watching The Incredibles on tv. With a sequel released this summer, I thought it worthwhile to watch again. Probably relaxation and wine were my chief accomplishments of that flight because I didn’t remember the movie all that well.
Set in a stylized 1960s, The Incredibles recreates the golden era of superhero comics, but asks the question of what it would be like if superheroes married, raised a family, and tried to live a normal life. The drama of the movie is inaugurated by Mr. Incredible’s mid-life crisis which draws him back into the superhero game behind Elastigirls’ back. When he gets in above his head, she has to come bail him out and their children Violet and Dash get to use their powers to fight crime for the first time. It’s a great movie that works on many levels, and in typical Pixar fashion has a lot of humor and a lot of heart.
For all the retro design of The Incredibles, I find it interesting how much it presaged the boom of superhero comic movies of the past decade and a half. In the interim between The Incredibles and The Incredibles II there has been 3 Spider-Man films (one finishing a trilogy and two from a reboot), 3 Fantastic Four films (including a reboot), Superman Returns, Christoper Nolan’s Batman trilogy, 9 X-Men films, 5 DC Extended Universe films, the entire 19 film run of the Marvel Cinematic Universe, and others I’m forgetting. The Incredibles‘ focus on interpersonal relationships within the family, a villain inadvertently created by the hero’s actions, and a society that seeks to reign in rather than celebrate people with powers are all facets that make it a forerunner of contemporary superhero movies.
Title: Inside Out Release Date: June 19, 2015 Director: Pete Docter Production Company:
The premise of Inside Out is well-established from all the promotion for the movie. Inside the mind of 11-year-old Riley Anderson are five personified emotions – Joy, Anger, Sadness, Fear, and Disgust. When Riley and her family move from Minnesota to San Francisco and she has to leave behind her home, friends, and hockey team, and deal with moving into a creaky, little house, a late moving van, and her parents’ distraction, Riley faces new stresses that throw the organized world of her emotions into disarray.
The story goes in places I didn’t expect. Joy and Sadness are separated from the “control center” of the mind to the “memory banks” and have to find their way back in what is essentially a buddy film. Joy – the self-appointed leader of the emotions – has never understood the purpose of Sadness and as Riley goes through what is essentially a depressive episode, Joy realizes that they can’t resolve the problem until she lets Sadness take control and allow Riley to express her feelings.
It’s a complicated concept, but it’s done well with a lot of humor and creative illustrations of the inner workings of the mind. It has the gags that will make the kids laugh, and the moments that will make the parents weep (as I did both when Riley’s imaginary friend fades away and at the climax when Riley finally tells her parents how she’s feeling, which lead to my son shouting “hey, you’re crying!). My son also noted that the emotions display a lot of – well, emotions – leading him to conclude that there must by five smaller emotions within their minds, and so on.
Summary/Review: Walt Disney Pictures | Pixar Animation Studios
This is my entry for “T” in the Blogging A to Z Challenge. Throughout April I will be watching and reviewing a documentary movie from A to Z. Some other “T” documentaries I’ve reviewed are Trekkies.
Title: Tower Release Date: March 13, 2016 Director: Keith Maitland Production Company: Go-Valley Summary/Review:
Tower pushes the limits of documentary film. It recreates the events of the 1966 University of Texas tower shootings using a hyper realistic form of animation with the words of survivors spoken by actors. It’s effective at putting the audience into the chaos of the massacre and showing the youth of most of the people involved. There are some neat effects such as animation of the KTBX radio mobile unit overlaid over archival film of the University of Texas campus. There are also cinematic asides such as depictions of visions a man may have seen as suffered from heat stroke or a women’s Day-Glo daydream about her romance with her now murdered boyfriend.
The woman, Claire Wilson, is one of the key figures in the movie. An 18-year-old student and 8 months pregnant, Wilson was the first person shot from the tower, killing her baby. Her boyfriend Thomas Frederick Eckman was killed instantly by the next shot. Wilson lay on the broiling pavement for nearly 90 minutes wondering if she would live. In one of the many acts of bravery that day, another student Rita Star Pattern ran into the line of fire and lay by Wilson, keeping her conscious and her spirits up. In one of the more stunning moments of the film as Wilson wonders if she would live the animation dissolves to reveal a very much alive Claire Wilson in her 60s.
Another key figure is John “Artly” Fox, a student who heard news of the shooting and not realizing the severity of what was happening, went to campus to check it out. Fox found himself in the midst of the terror, and with a friend would eventually run out to carry Wilson to safety. Other subjects include the police officers and curiously a bookstore employee who reach the tower and kill the shooter.
This was not the first mass shooting in US history, and not even the first school shooting, but in 1966 they was definitely not a public awareness of this kind of random violence in public places. This is evident in the ad hoc approach that first responders made in response to the shooting. The aftermath was also very different from what we’d expect today. There was no candlelight ceremony, no memorial service, no monument on the campus until 2006. In fact, the university was only closed for one day. The survivors did not speak of the event at all. Remarkably, Wilson and Fox did not meet again until the making of this movie, and they discuss how therapeutic it is for them to speak of the shooting.
What Can One Learn From Watching This Documentary:
This documentary vividly recreates the terror of a mass shooting and depicts the long lasting trauma of crimes that have become all too familiar to us in the present day.
If You Like This You Might Also Want To …:
Read: Guns by Stephen King is a concise case for the necessary regulation of firearms in the United States, a call that’s fallen on deaf ears since at least 1966.
Source: I watched this movie on Netflix streaming. Rating: ****
Title: Mulan Release Date: June 19, 1998 Director: Barry Cook and Tony Bancroft Production Company: Walt Disney Pictures Summary/Review:
Mulan is Disney’s interpretation of the classic Chinese ballad “Hua Mulan,” where a girl takes her aging father’s place when he’s conscripted to war against the Huns. Mulan is a misfit in her society’s traditional expectations of a woman, but with the help of the dragon Mushu – voiced by Eddie Murphy – she’s able to find her place in the military.The great part is that Mulan is able to use her smarts to figure out clever ways to defeat the Huns in battle and eventually save the Emperor.
The animation style that draws on Chinese watercolor rather than real world appearance is a nice touch. It does feel that Disney didn’t bring in their Grade A composers for this movie, though, as the musical numbers are a resounding dud. While it’s a simple tale simply told, especially compared to the other Disney movies of the Renaissance era, but it is a decent movie about family, honor, friendship, and the capabilities of women in a patriarchal society.
Title: Coraline Release Date: 2009 February 6 Director: Henry Selick Production Company: Laika Summary/Review:
Coraline has been on my “too-watch” list for some time, so it was good to finally take in this visually stunning stop-motion animated fantasy based on a story by Neil Gaiman. Coraline is a preteen girl (voiced by Dakota Fanning, with the expressions and mannerisms perfectly matching the voice) moved into a strange old apartment building with eccentric neighbors by her inattentive parents. She discovers a small door with a passage to a mirror universe of the apartments where her Other Mother and Other Father live and spoil Coraline with her favorite things, and the sad neighbors are actually spectacular circus performers. It seems a wonderful place even if everyone creepily has buttons for eyes. All is not as good as it seems and Coraline will have to team up with a black cat (my favorite character) and neighbor Wybie, she uses her wits to avoid being trapped in the alternate universe.
I think Coraline is spectacular visually and great at creating mood and atmosphere. The story feels a bit thin and Coraline’s game against Other Mother is rushed compared with the rest of the movie and the resolution feels too easy. That being said Coraline is a remarkable piece of art.
Title: Ratatouille Release Date: 29 June 2007 Director: Brad Bird and Jan Pinkava Production Company: Pixar Animation Studios, Walt Disney Pictures Summary/Review:
Remy, a rat with a heightened sense of small learns to appreciate fine foods and cooking from television programs and cookbooks of the famed chef Auguste Gusteau. When circumstance bring Remy to Paris, a vision of the late Gusteau guides him to Gusteau’s restaurant where Remy begins to pursue the dream of becoming a cook. Remy is paired with the restaurant’s young garbage boy Linguini, and learns that he can control his body like a marionette by pulling his hair (that sounds creepier than it appears in the movie) and together they make successful new dishes.
Though the stakes are low it touches on issues such as balancing commitments to family with pursuing one’s dreams, and expanding one’s perspectives. It’s also surprisingly educational about both the bridage de cuising and colonies of rats. One disappointment of the film is that almost all of the characters – rats and kitchen staff alike – are male, although the sole female character Colette comments on the difficulty of women making it in the culinary field, a seeming meta-commentary on the movie itself. Overall, it’s a cute movie and beautifully animated and I enjoyed it.
Title: BoJack Horseman Release Dates: 2017 Season: 4 Number of Episodes: 12 Summary/Review:
The season 3 finale of BoJack Horseman put the series at a crossroads, where the lead’s characters selfish and self-destructive behavior was on the verge of making the show unbearable to watch, but on the other hand a show about a “reformed” BoJack wouldn’t be interesting to watch. The series creators have done a good job of putting BoJack on a patch to recovery while not ignoring the lasting harm he has done to his relationships. For this reason, the series feels more like several recurring stories focused on the lead characters rather than one narrative. The show creators emphasize this decision by not even BoJack appear in the first episode of the season.
BoJack’s story involves the arrival of a young horse girl, Hollyhock, who believes BoJack is her biological father and wants his help finding her mother (since she already has 8 loving adoptive dads). At the same time, BoJack must take in his deteriorating mother Beatrice despite his unhidden antipathy and resentment toward her. Mr. Peanutbutter decides to run for governor and the depiction of the clueless celebrity stumbling into electoral success seems all too real to be funny nowadays, and leads into the series’ hamfisted attempts in political humor related to gun violence and fracking. Luckily, the story takes a turn mid-season to exploring the effects of the election, and Mr. Peanutbutter’s way of life in general on Diane and their marriage. Princess Carolyn attempts to find success in her business and settle down with Ralph, but runs into heartbreaking roadblocks. Todd has less of his own storyline through the series, appearing as a supporting character to the other storylines, but does provide some great representation for asexual people as he tries to learn more about his identity. Later, he becomes involved in one of his crazy Todd plans involving clown-dentists, a recurring joke that is far funnier than it has any right to be.
While there’s nothing as remarkable as Season 3’s “Fish Out of Water” with its mostly wordless underwater scenario, there are some standouts in this season for storytelling and animation artistry. “The Old Sugarman Place” sees BoJack returning to his family’s summer home and befriending a crotchety dragonfly, while flashbacks of his mother’s childhood play superimposed with the current events on the show. This develops a theme of generational depression that continues in “Stupid Piece of Sh*t” narrated by Bojack’s internal monologue constantly berating himself for his failures and slights. “Time’s Arrow” is depicted through Beatrice’s decaying memories, filling in the story of her unhappy childhood and early marriage, and providing Hollyhock’s history as well.
Ok, so I’ve gotten this far and haven’t noted that this is a show where animals intermingle with humans in scathing satire of the Hollywood lifestyle filled with visual puns. But really, I think BoJack Horseman may be the most affecting and honest show about the human condition on “television” today.
Title: Minions Release Date: June 10, 2015 Director: Pierre Coffin & Kyle Balda Production Company: Universal Pictures, Illumination Entertainment Summary/Review:
The Minions – the lovable, mischievous, and yellow sidekicks from the the Despicable Me franchise – get the full origin story in this film. The movie begins with the Minions evolving as a species that longs to serve biggest, meanest creature around. After a montage of numerous instances where the Minions enthusiasm inadvertently leads them to kill their masters, they end up in exile in an Arctic cave. After decades of a the community suffering collective depression over having no evil master to serve, three Minions -Kevin, Stuart, and Bob – set off on a journey to find a new leader. Their travels take them to 1960s New York City, then to pre-themepark Orlando for a supervillains convention, and finally to swinging London where they try out for the supervillain Scarlet Overkill. Hijinks ensue, and the Minions can be disarmingly funny, especially Bob. I feel like the movie is often trying too hard to be clever and lacks the heart of Despicable Me. Are the Minions really able to carry a movie on their own? I say no, but my kids disagree, and I suspect it succeeds as some enjoyable fluff for the younger ones. Rating: **
Title:Lilo & Stitch Release Date: 2002 June 21 Director: Chris Sanders and Dean DeBlois Production Company: Walt Disney Pictures Summary/Review: A big leap forward in time from Dumbo, but coincidentally this movie was actually inspired by Dumbo in that the filmmakers wanted to make a low-budget experiment and is also the first Disney animated film to use watercolor backgrounds since Dumbo. The story involves Stitch, a genetic experiment designed to cause mayhem who escapes and crash lands in Hawaii. There he meets Lilo, a young girl being raised by her older sister after the death of their parents, who is an outcast among the other kids and tends to lash out violently, not unlike Stitch. The movie takes some chances in setting it in Hawaii and incorporating Hawaiian culture as well as a starkly honest depiction of a sisterly relationship. The movie is laugh out loud funny and heartbreaking, and I can’t believe I waited 15 years to see this genius film. Rating: ****1/2
Title: Dumbo Release Date: 1941 October 23 Director: Ben Sharpsteen Production Company: Walt Disney Productions Summary/Review:
A baby is born with a physical feature that leads him to be ostracized by his kind, but after discovering that that physical feature affords him special powers, he is celebrated. Dumbo is essentially the same story as Rudolph the Rednose Reindeer. The animation style is different from Pinnochio. The former tried to recreate reality in intricate animation, while Dumbo is more cartoon-y. But the elephants are lovingly-executed and given characteristics to make them both elephantine and anthropomorphic. And Dumbo is just so darn cute. Timothy Q. Mouse is the hero of this story and is much like Jiminy Cricket, taking Dumbo under his wing and helping him find his greatness. Like Pinnochio, there’s a lot about this movie that is just plain weird – like how Dumbo and Timothy discover that Dumbo can fly after consuming champagne. The scene with the crows is uncomfortable because of the racial insensitivity of the obviously African American characters, but the crows also have the most memorable lyrics of any song. After nearly an hour of bullying and ostracizing our protagonist he gets the happy ending he deserves, but this sure is a sad movie. Rating: ***
Title: Pinocchio Release Date: 23 February 1940 Director:Ben Sharpsteen and Hamilton Luske Production Company: Walt Disney Productions Summary/Review:
Pinocchio is one of those movies where you feel like you know the story even if you’ve never seen it. But actually watching it fills in some gaps and reveals some misconceptions. The most famous part of Pinocchio is that his nose grows when he lies. And that lasts less than a minute. Still there reasons why the film is so familiar because the scenes of Pinocchio, Jiminy Cricket, Geppetto, Figaro, and Cleo dancing have been shown in a gazillion formats, most memorably to me edited into the DTV music videos that were always shown on The Disney Channel when I was a kid. And they’re worth showing off, because the Disney animators made some remarkable advancements in the depiction of the movement of bodies as well as shadows and water. Nothing prepared me for the nightmare fodder that was Pleasure Island and the children turning into donkeys. And the film carries such a heavy-handed middle class morality that it makes it seem like they want us to think that the kids deserved that. The final act seems tacked on where Pinocchio learns that for some reason Geppetto, Figaro, and Cleo are in the belly of the whale Monstro, but it does give Pinocchio the chance to be a hero. A strange and remarkable film. Rating: ***1/2
Title: Sing Release Date: 21 December 2016 Director: Christophe Lourdelet, Garth Jennings Summary/Review:
Zootopia used a city of anthropomorphic animals as the setting for a socially-conscious police procedural, and Sing does essentially the same thing for the musical comedy, albeit not as sophisticated. Koala Buster Moon is a show biz impresario who decides to save his decaying theater by staging a talent competition. Cue audition scenes followed by rehearsals with quirky core group of ambitious talent: a soulful gorilla who does not want to be part of his father’s bank-robbing gang, a punk rock porcupine more talented than her self-centered boyfriend, an overworked mother of 25 piglets looking for a chance to express herself, an exuberant, Teutonic pig in sparkly dance leotards, and a shy, teenage elephant with a strong voice.
The movie is full of gags and generally funny enough to entertain both children and adults. But it also contains some serious undertones and cynicism about show business that seems a bit heavy, especially a terrifying scene in which the theater is destroyed. The movie has it’s flaws, among them a soundtrack that switches frenetically among popular songs (the licensing bill must’ve been huge) and is a bit a bloated at nearly two hours in length. But it’s better than the sum of it’s parts with some joyous musical performances, especially in the final performance at the end of the film. Rating: ***
Title: Moana Release Date: 23 November 2016 Director: Ron Clements and John Musker Summary/Review:
The latest Disney offering is a delightful combination of Polynesian folklore with gorgeous visuals and musical numbers. Moana, the heir to a line of chieftains of her island, must save her people from blight and disaster by seeking the demigod Maui and have him return the heart he stole from the goddess Te Fiti. The movie has a lot of great humor and tells a story of friendship and finding confidence within oneself, with support from those who love you. And since representation matters, it is great to have a story with a girl protagonist, who is not a princess (even if she has a dress and an animal sidekick) and does not have a romantic subplot, be the hero of the story. Highlights of the movie are the dumb but heroic chicken Heihei, Maui’s tattoo with a conscience, Moana’s eccentric Gramma Tala, and a musical number by the crab Tamatoa that is an homage to David Bowie but also clearly the work of Lin-Manuel Miranda. I loved it, but opinions vary. My five-year-old thought it was scary at parts. My nine-year-old thought it was okay. Rating: ****
Title: BoJack Horseman Release Dates: 2016 Season: 3 Number of Episodes: 12 Summary/Review: This is the third series of the animated Netflix show that is laugh out loud funny, acerbically satirical, emotionally raw, and thoroughly depressing. Two plots are intertwined through the series: BoJack making the circuit of appearances in hopes of getting an Oscar nomination for the biopic of Secretariat and flashbacks to 2007 when BoJack helped create a tv show that flopped (kind of eerie how the show makes 2007 feel like a long time ago!). Both plots deal with BoJack’s inability to feel happiness, his capacity for self-sabotage, and his unreliability to friends and colleagues. Looking back on the season it seems so glum, it’s hard to remember that there was a lot to laugh about, but BoJack Horseman is all about using humor to peel back the most painful wounds. The highpoint of the season is episode 4, “Fish Out of Water,” where BoJack goes to a film festival in a community under the sea and thus there’s almost no dialogue in the entire episode as the undersea world is brought to life with fantastic visuals, sound effects, and music. It’s a tour-de-force in what is a really well-done season of television.
Title: Zootopia Release Date: March 4, 2016 Director: Byron Howard and Rich Moore Summary/Review:
Set in a world of anthropomorphic mammals where predator and prey have agreed to live together, Zootopia is a comic, animated film that smartly takes on issues of inequality that appear ripped from the headlines touching upon women’s rights, Black Lives Matter, and prejudice against Islamic peoples. The story is about Judy Hopps, a country rabbit who comes to the big city as the first rabbit on the police force. Made unwelcome by her police chief, Judy ends up working with a hustler, a fox named Nick, to investigate the disappearance and apparent reversion to wildness of several predators. The movie has fun with the clichés of police procedurals and revels in exploring the fantastical world of a city made up of different mammalian habitats. It’s a funny and clever movie, and enjoyable for old and young alike.
Title: Kung Fu Panda Release Date: 6 June 2008 Director: Mark Osborne, John Stevenson Summary/Review:
Another family movie night, inspired by a visit to the zoo. Po is a clumsy panda working in a noodle shop who is a big fan of the Furious Five kung fu warriors. He somewhat accidentally finds himself selected as the Dragon Warrior to defend the Valley of Peace against the vengeance of the evil Tai Lung. There’s a lot of humor playing off of martial arts film clichés, pop culture references, and Po’s roly-poly silliness. But it’s also an inspiring film as Po manages to be a hero in his own way. The animation is also pretty spectacular. I’m still wondering how they made two sequels out of this, though.
Title: Despicable Me Release Date: 9 July 2010 Director: Pierre Coffin and Chris Renaud Summary/Review:
By my daughter’s request, I caught up with popular culture by finally seeing this animated family film. Gru is a supervillain who is embarrassed by a younger and more successful villain’s heist. As part of a plot to get back on top, Gru adopts three orphan girls. As would be expected in a family film, Gru develops paternal feelings for Margo, Edith, and Agnes that slowly usurp his supervillainous tendencies. There are a great number of verbal and visual gags that keep the laughs coming, and this isn’t one of those “message” movies that make everything end up syrupy sweet. I also like the little social commentary bits like the sign for the Bank of Evil saying “Formerly Lehman Brothers” or that Gru’s rival Vector is totally Bill Gates. Rating: ***1/2
Title: Star Wars: The Clone Wars Release Date: 2008 Director: Dave Filoni Summary/Review:
Feeling all Star Wars-ish lately, I decided to watch this animated movie set in between Attack of the Clones and Revenge of the Sith. Obi Wan and Anakin are leading clone armies into battle against the separatists and have to negotiate a treaty with Jabba the Hutt and have a padawan Ahsoka Tano delivered into their midst. The animation allows for visual sequences that might not be possible/plausible in a live-action film, although some of the battle sequences remind me of 1980s GI Joe or Transformers cartoons (which may be good or bad depending on how much you enjoyed them). I thought that the character work was pretty strong especially the interactions between Obi Wan and Anakin and Anakin and Ahsoka. Much better than in the prequel trilogy where characterization and development was given short shrift. But really this movie is worth watching for the scene in which R2-D2 basically uses a Baby Bjorn to carry Jabba the Hutt’s son.
If that’s not weird enough, we also meet Ziro the Hutt, Jabba’s uncle who is coded as being fabulously gay with the voice of Truman Capote. Padme is introduced late into the story, and while it’s good to see her, she is swiftly taken captive and doesn’t add much to the story. But I found myself enjoying this movie despite myself. I hear that the spinoff series is better, so I may give that a watch. Rating: **1/2
Title: BoJack Horseman Release Dates: 2015 Season: 2 Number of Episodes: 12 Summary/Review:
The first season focused on BoJack & Diane writing his memoirs, but the second series is more scattered in focus ranging from BoJack starring in a Secretariat biopic, Mr. Peanutbutter’s new game show (created by J.D. Salinger!), Todd getting involved in an improv comedy cult, and even an entire episode built around jokes about auto-erotic asphyxiation (disturbing, but surprisingly funny and touching too). Over the course of the season both BoJack and Diane go in a downward spiral. On the upside, Princess Carolyn and Mr. Peanutbutter get a lot of great character development. The best episodes are “After the Party” showing the stories of three couples after a disastrous party and “Hank After Dark” a takedown of the culture that protects celebrities from allegations of sexual assault (featuring a thinly-disguised Bill Cosby character). The show gets darker and more serious while still being incredibly funny. I eagerly look forward to season 3.
