Boston Movie Festival: Shutter Island (2010)

Welcome to my first monthly “film festival” where I watch a bunch of movies on a theme.  This month, in honor of Patriots Day weekend I will be watching a bunch of Boston movies, also known as “Film No R.”  There are so many movies set/filmed in my hometown that I made a list on Letterboxd.  I probably will never watch all of them, but this weekend I’m going to check of some of the more prominent movies I’ve missed.

Title: Shutter Island
Release Date: February 19, 2010
Director: Martin Scorsese
Production Company: Phoenix Pictures | Sikelia Productions | Appian Way Productions
Summary/Review:

Adapted from a novel by Dennis Lehane, Shutter Island is set in 1954 at the fictional Ashecliffe Hospital for the criminally insane on Shutter Island in Boston Harbor.  I’m going to start off by being the pedant who points out that none of the drumlin islands in Boston Harbor has sheer rock cliffs rising from the sea (those scenes were shot in Acadia National Park and California).  However, much of the rest of the film was shot in locations throughout Eastern Massachusetts, so I’ll give it a pass.

The film begins when U.S. Marshall Teddy Daniels (Leonardo DiCaprio) meets his new partner Chuck Aule (Mark Ruffalo) on the ferry to the island.  They are investigating the disappearance of a dangerous patient. Teddy reveals to his partner that he has ulterior motives for visiting the hospital which he believes is also holding an arsonist responsible for the death of his wife and is conducting mind experiments on the patients.  The hospital, lead by Dr. John Cawley (Ben Kingsley), appear to be hiding something. A hurricane causes chaos to breakout on the island.  Meanwhile, Teddy is haunted by memories of liberating Dachau as a young soldier as well as his late wife Dolores (Michelle Williams).

The movie maintains a good sense of mystery and menace, and features a strong performance by DiCaprio.  On the down side, there are a number of twists that are just corny, although that’s typical of Lehane’s work in my experience. There’s a lot that doesn’t make sense, some of which can be chalked up to the unreality of the scenario.  But when the mystery is revealed, I also wondered why certain characters would have done what they did under those circumstances.  So, it’s a flawed but entertaining film.

Rating: ***

50 Years, 50 Movies (1975): Picnic at Hanging Rock

I will turn 50 in November of this year, so my project for 2023 will be to watch and review one movie from each year of my life.  The only qualification is that it has to be a movie I’ve not reviewed previously.

1975

Top Grossing Movies of 1975:

1. Jaws
2. One Flew Over the Cuckoo’s Nest
3. The Rocky Horror Picture Show
4. Shampoo
5. Dog Day Afternoon

Best Picture Oscar Nominees and Winners of 1975:

• One Flew Over the Cuckoo’s Nest
• Barry Lyndon
• Dog Day Afternoon
• Jaws
• Nashville

Other Movies I’ve Reviewed from 1975:

• Adoption
• Eadweard Muybridge, Zoopraxographer
• F for Fake
• Grey Gardens
• Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
• Mirror
• Monty Python and the Holy Grail

---

Title: Picnic at Hanging Rock
Release Date: August 8, 1975
Director: Peter Weir
Production Company: B.E.F. Film Distributors | South Australian Film Corporation | Australian Film Commission | McElroy & McElroy | Picnic Productions
Summary/Review:

Picnic at Hanging Rock asks a lot of questions.  What happened to the girls and teacher who disappeared while exploring Hanging Rock?  Is there some hidden power within the geologic feature itself? Is Miranda (Anne-Louise Lambert) an angel, Botticelli or otherwise?  Does Mrs. Appleyard (Rachel Roberts) kill a girl?  Is this based on a true story?

The film does not provide any answers (although I can tell you the answer to the last one: no, it is a completely fictional story based on a 1967 novel by Joan Lindsay). On Valentine’s Day 1900, the girls of Mrs. Appleyard’s private school visit Ngannelong (a natural volcanic formation in Victoria, Australia known as Hanging Rock by the colonizers).  During their languid picnic, four girls lead by Miranda seek to do some geologic investigation by climbing the rock.  Only one of them returns, the rest seemingly lead by a hidden force to continue on.  A teacher who goes looking for the girls also goes missing.

The picnic only makes up the first act of the film.  The rest of the story focuses on the repercussions of four missing people on the school and its students and staff.  There’s also the odd obsession of Michael Fitzhubert (Dominic Guard), a wealthy young Englishman who doesn’t even know the girls, but continues to search for them.  Like the earlier Australia-based film Walkabout, this movie explores an underlying conflict of Europeans with the Australian land and its spirits.  It also reminds me of the Soviet film Stalker in that Hanging Rock is a place with a mysterious power.

Picnic at Hanging Rock takes advantage of the natural beauty of Australia in its gorgeous, dreamlike cinematography.  I’m glad I got to see this on a big screen at The Brattle Theatre on the day after Valentine’s Day.

Rating: ****

90 Movies in 90 Days: Confess, Fletch (2022)

I’m kicking off 2023 by trying to watch and review one movie every day for the first 90 days, all of which will be 90 minutes or less.

Title: Confess, Fletch
Release Date: September 16, 2022
Director: Greg Mottola
Production Company: Miramax
Summary/Review:

In college I visited a group of friends who shared a house for a movie night.  They chose their favorite movie, the 1985 Chevy Chase vehicle Fletch. While they laughed and repeated back their favorite lines all night, I sat there stone-faced because there was nothing about Fletch that was funny.  So you may be surprised that I watched the most recent installment in the series, but it got good reviews, and I like John Hamm (who is much better than the notorious asshole Chevy Chase).  But the clincher is that it is filmed in Boston, so I had to see my hometown onscreen.

Irwin M. “Fletch” Fletcher (Hamm) is a former investigative reporter turned freelance writer who is sent to Boston by his Italian girlfriend Angela (Lorenza Izzo) to retrieve her family’s stolen artwork that can be used to ransom her kidnapped father.  Upon arriving in the South End town house where he’s arranged to stay, Fletch discovers a murdered women.  Despite reporting the crime, Fletch is considered a suspect by Boston Police Sergeant Inspector Monroe (Roy Wood Jr.) and his assistant Junior Detective Griz (Ayden Mayeri).  Fletch investigates the murder and the stolen art while trying to avoid the police.

The plot of the mystery is a bit convoluted and honestly doesn’t matter, because this movie is just goofy fun.  Hamm is charming and quipy and the supporting cast get a lot of laughs out of the situation.  It’s amazing that there are so few comedies like this being made these days, although it would fit in a triple feature with fellow 2022 comedy mysteries See How They Run and Glass Onion. Boston looks good in the movie with most of the location shots in the South End and Back Bay with the characters representing the kind of vapid rich people who might live in those neighborhoods.  Someone who knows Boston must’ve worked on the script as Fletch’s lucky Lakers cap is frequently derided and there’s a funny-to-me gag about where to find fireworks.

Rating: ***1/2

50 Years, 50 Movies (1976): Murder By Death

1976

I will turn 50 in November of this year, so my project for 2023 will be to watch and review one movie from each year of my life.  The only qualification is that it has to be a movie I’ve not reviewed previously.  If you have any suggestions for movies from the past 50 years, please drop them in the comments!

Top Grossing Movies of 1976:

• Rocky
• A Star Is Born
• King Kong
• Silver Streak
• All The President’s Men

Best Picture Oscar Nominees and Winners of 1976:

• Rocky
• All The President’s Men
• Bound for Glory
• Network
• Taxi Driver

Other Movies I’ve Reviewed from 1976:

• Harlan County, U.S.A.

Title: Murder By Death
Release Date: June 23, 1976
Director: Robert Moore
Production Company: Rastar
Summary/Review:

You’ve tricked and fooled your readers for years. You’ve tortured us all with surprise endings that made no sense. You’ve introduced characters in the last five pages that were never in the book before. You’ve withheld clues and information that made it impossible for us to guess who did it. But now, the tables are turned. Millions of angry mystery readers are now getting their revenge. When the world learns I’ve outsmarted you, they’ll be selling your $1.95 books for twelve cents.

Murder By Death is one of those movies that was constantly shown on television when I was a kid (most likely in an edited format) that I absolutely loved.  I had a feeling this movie would age poorly and I was correct.  Written by Neil Simon, the movie spoofs classic country-house whodunit’s with characters parodying the classic fictional defectives Hercule Poirot, Miss Marple, Charlie Chan, Nick and Nora Charles, and Sam Spade. The large ensemble cast includes some of the best actors of the generation including Peter Sellers as Sidney Wang, David Niven and Maggie Smith as Dick and Dora Charleston,  James Coco as Milo Perrier, Peter Falk as Sam Diamond,  and Elsa Lanchester as Jessica Marbles.  Alec Guinness also stars as the blind butler Jamessir Bensonmum while Truman Capote makes what I think is his only acting role where he’s not playing himself as the eccentric host Lionel Twain.

The problems with this movie are pretty obvious from the first time we see Peter Sellers in yellowface (why did he keep doing that?) and speaking in broken English, and the “blind butler” and “deaf cook” jokes are painfully cringy too.  I want to say that the cast deserved a better script, but they all agreed to do this movie so perhaps they liked it just fine.  While maybe one joke out of three in this quip-packed movie actually hit me as funny, I have to admit that the talented cast were excellent in their delivery, particularly Guinness, Niven, Smith, Falk, and Eileen Brennan as Diamond’s plus one Tess Skeffington.

By the way, when I was a kid the version I watched always included a cameo scene with Sherlock Holmes and John Watson arriving late, so I’m going to include it here.

Rating: **

 

90 Movies in 90 Days: Meshes of the Afternoon (1943)

I’m kicking off 2023 by trying to watch and review one movie every day for the first 90 days, all of which will be 90 minutes or less.

Title: Meshes of the Afternoon
Release Date: 1943
Director: Maya Deren and Alexander Hammid
Production Company: Independent
Summary/Review:

Meshes of the Afternoon ranked #16 in the most recent Sight & Sound Poll of The Greatest Films of All Time. The short experimental film by Maya Deren and Alexander Hammid is completely silent which serves as a good reminder of the importance of music and sound design to film even if there’s no dialogue.  The movie is reminiscent of Luis Buñuel’s Un Chien Andalou, which combined with the silence makes it feel around 15 years out of date.  Then again, filmed in the sun-drenched streets of Los Angeles, it also feels like a precursor to film noir.  Ultimately, David Lynch and Jordan Peele would draw inspiration from this film.

The story, as it is, involves a woman (Deren) pursuing a hooded figure with a mirror for a face. She ends up in a house and the sequence loops so that ultimately there are several versions of the same woman.  There are repeated tropes of a key, a knife, and a telephone. Eventually, a man (Hammid) appears.  Is he the hooded figure?

The movie is much darker than the previous movie I watched by the Deren and Hammid, The Private Life of a Cat.  But they share a commonality in the way the camera is moved to provide point of view as well as the exploration of domestic interiors.It doesn’t make a lot of sense to me, but it does invite one to find an answer to the questions it spurs.

Rating: ***1/2

 

Movie Review: Glass Onion: A Knives Out Mystery (2022)

Title: Glass Onion: A Knives Out Mystery
Release Date: November 23, 2022
Director: Rian Johnson
Production Company: T-Street
Summary/Review:

World-famous private investigator Benoit Blanc (Daniel Craig) returns to solve another mystery.  This time the muted autumnal colors of New England are traded for a sun-soaked Grecian island.  The island is owned by billionaire and self-proclaimed tech genius Miles Bron (Edward Norton).  He invites a group of his friends he calls The Disruptors to his island during the early days of the COVID-19 pandemic for a murder mystery party.  These include Andi Brand (Janelle Monáe), the co-founder and real brains behind the company with whom he’s had a falling out; Governor of Connecticut Claire Debella (Kathryn Hahn); scientist Lionel Toussaint (Leslie Odom, Jr.); fashion designer Birdie Jay (Kate Hudson) and her assistant Peg (Jessica Henwick); Duke Cody (Dave Bautista) a “men’s rights activist” video streamer and his model girlfriend Whiskey (Madelyn Cline).

Naturally, Blanc mysteriously receives an invitation as well and quickly surmises that everyone has a reason to want to kill Bron.  Soon enough the fake murder mystery turns into a real one.  Johnson does a good job of seeding clues throughout and using flashbacks to fill in the gaps. Craig is excellent at playing Blanc as bumbling when he’s really two steps ahead of everyone else. Monáe also does an excellent job in a role that is more complex than it initially appears.

In fact all the actors do a great job but their characters still come off as caricatures.  This makes sense on one level since there all shallow people we see as influencers while Bron is clearly a stand-in for Elon Musk in how he’s a dumb guy hailed as a genius due to his wealth and power.  But I felt the previous film did a lot better at giving more depth to the characters which is the main reason why the sequel, although enjoyable, is not as good as the original. Still, you’ve got to admire the small level of revenge Rian Johnson gets in Dave Bautista’s performance skewering the types of MRA manbaby internet influencers who started the hate campaign against the brilliant The Last Jedi.

Rating: ***1/2

Movie Review: See How They Run (2022)

Title: See How They Run
Release Date: 9 September 2022
Director: Tom George
Production Company: Searchlight Pictures | DJ Films | TSG Entertainment
Summary/Review:

I saw this movie described as “the Wes Anderson-ification of Knives Out” and I can’t shake it out of my head.  It’s definitely a stylish and quirky take on the ensemble cast whodunit mystery and while not exactly like Anderson’s work, it does give one a sense of what it’s like.  It’s also a meta-commentary on detective stories, particularly Agatha Christie’s The Mousetrap, with the West End theater where it is performed becoming the site of the murder mystery.  The Mousetrap, of course,  is the longest running play in the world having over 28,000 performances at the time I write this. I saw it myself about 25 years ago, and thus am solemnly sworn not to reveal the killer.

Meta-commentary can be a knife’s-edge of whether it will work or not, so fortunately See How They Run also has some enjoyable performances. Set in 1953 when the company of The Mousetrap is celebrating a mere 100 performances, the mystery begins with the murder of the loutish American film director Leo Köpernick (Adrien Brody) who is working on a movie adaptation of The Mousetrap even though he’s never watched the play.  The investigation of the murder falls to the world weary and alcoholic Inspector Stoppard (Sam Rockwell) and his chatty, wise-cracking assistant Constable Stalker (Saoirse Ronan). Suspects/potential victims include theater producer Petula Spencer (Ruth Wilson), script writer Mervyn Cocker-Norris (David Oyelowo), and real-life figures such as film producer John Woolf (Reece Shearsmith), David Attenborough (Harris Dickinson), Sheila Sim (Pearl Chanda), and Agatha Christie herself (Shirley Henderson).

The movie is not much of a mystery nor is it really a period piece as it’s full of deliberate anachronisms.  The humor is hit or miss, but it’s mostly an enjoyable 90 minutes.  To be honest, Ronan’s performance is delightful and she really carries the film.  Luckily, she’s on screen for most of it.

Rating: ***

 

Book Review: Tuesday Mooney Talks to Ghosts by Kate Racculia

Author: Kate Racculia
Title: Tuesday Mooney Talks to Ghosts
Narrator: Lauren Fortgang
Publication Info: HMH Adult Audio, 2021
Summary/Review:

Tuesday Mooney is a researcher at a hospital in Boston who looks into the backgrounds of prospective donors.  When an eccentric millionaire, Vincent Pryce, dies at a fundraiser, it kicks off a city-wide treasure hunt for the deceased’s fortune.  Tuesday teams up with her best friend Dex, her teenage neighbor and mentee Dorry, and Arches, the charming son of another first family of Boston.

There is a lot going on in this book with the treasure hunt a fun main plot around which various subplots orbit.  For one thing, Tuesday is dealing with her best friend Abby going missing (and presumably dead) when they were teenagers.  She can still hear Abby’s voice talking with her and advising her as an adult.  Arches, meanwhile, has famously had his wealthy father go missing in a boating incident 6 years earlier, the truth of which is something he is grappling with.  And that’s just scratching the surface.

I think the many stories going on within the novel make it needlessly complicated.  But it’s still a fun mystery/adventure/paranormal/romance novel with a lot of great Boston details.

Rating: ****

Movie Review: Enola Holmes 2 (2022)

Title: Enola Holmes 2
Release Date: November 4, 2022
Director: Harry Bradbeer
Production Company:Legendary Pictures | PCMA Productions
Summary/Review:

I enjoyed Enola Holmes when I watched it two years ago, although I probably overrated it in my enthusiasm.  The sequel improves upon the original, partly with the benefit of the origin story being taken care of so that it can jump right into the action, adventure, mystery, and romance. And humor.  This movie is a romp and it will always revert to fun.

Enola Holmes (Millie Bobby Brown), younger sister of Sherlock and Mycroft, has opened a detective agency in London.  Potential clients turn her down because of her age and gender, but Enola finally gets a case when a factory girl Bessie (Serrana Su-Ling Bliss) asks for help finding her sister Sarah. Enola’s investigation exposes the cruel conditions that girls and women of the match factory labor under as well as the mystery of why so many of them are getting sick and dying.  Naturally, this mystery ties in with Sherlock’s (Henry Cavill) investigation into blackmailing and money laundering.

A big theme of this film is that Enola’s desire to be independent does not mean that she has to be alone.  Thus she gets an assist from a team involving Sherlock, their mother Eudoria (Helena Bonham Carter), and Enola’s love interest Tewkesbury (Louis Partridge).  It’s a good ensemble cast and they have a lot of good chemistry working together.  The film also incorporates a real historical event, The Matchgirls Strike of 1888 which lead to the Union of Women Match Makers, the first women-lead labor movement in Britain.

Rating: ****

Book Review: The Department of Rare Books and Special Collections by Eva Jurczyk

Author: Eva Jurczyk 
Title: The Department of Rare Books and Special Collections
Narrator: Hannah Cabell
Publication Info: Poisoned Pen Press (2022)
Summary/Review:

Liesl Weiss is no sooner named the interim director of the Department of Rare Books and Special Collections at a university in Toronto when things start to go wrong.  A rare Plantin Polyglot Bible is supposed to be the library’s latest prize acquisition but it is missing and the only one who had seen it is the previous director who was incapacitated by a stroke.  Liesl comes to the realization that the Plantin was stolen and it could’ve been an inside job.  Was it Miriam, a librarian who suddenly stops showing up for work just before the book went missing?  Or could it be Francis Churchill, a rare books expert who Liesl is rumored to have had a fling with?

In addition to trying to solve the mystery, Liesl has to deal with people questioning her ability to do the job as a woman.  The university president certainly doesn’t want to make the theft made public because it would frighten off donors.  Working in an academic library myself, the absolute most accurate part of the book is the university’s need for reputation management and placating wealthy donors above everything else.  But it’s also a great mystery with a very satisfying conclusion.

Recommended books:

• The Grand Complication by Allen Kurzweil

Rating: ****