Album Review: Half-Light by Rostam


Album: Half-Light
Artist: Rostam
Release Date: 15 September 2017
Favorite Tracks: “Bike Dream” and “Don’t Let It Get To You”
Thoughts: Half-Light is the solo album debut for Rostam Batmanglij, formerly of Vampire Weekend. Like his former band’s recordings, the music here incorporates World Music sounds ranging from reggae to Brazilian Batucada to Indian raga, with layered musical effects and Rostam’s tenor rising above it all.  I have kind of mixed feelings, about the album although I warmed to it on repeated listens, but I still feel he’s trying too hard as a producer to make “art” losing himself in the process.
Rating: ***

 

 

Album Review: If All I Was Was Black by Mavis Staples


AlbumIf All I Was Was Black
ArtistMavis Staples
Release Date: 17 November 2017
Favorite Tracks: “Little Bit,” “If All I Was Was Black,” “Ain’t No Doubt About It,” and “Try Harder”
Thoughts:

One of my favorite musical trends of 2017 is the appearance of the legendary Mavis Staples as guest artist on various recordings.  First, Arcade Fire released “I Give You Power” on the eve of Inauguration Day in January:

Then staples added her gospel chops to Benjamin Booker’s statement on police killings of black people “Witness.”

Next Staples joined Pusha T on the virtual hip-hop/electronic band Gorillaz’ Trump-inspired track “Let Me Out.”

Now, at last, we have a full album of new songs from Mavis Staples herself reflecting on our fraught, divided times and what we need to do to fight against it.  Frequent Staples’ collaborator, Jeff Tweedy of Wilco, produced the album, appears on one track, and wrote all the songs (quite remarkable when you think that means he wrote the title track).  Staples’ versatility that makes her such a strong asset as a guest artist with distinctly different bands is seen here as well as the music mixes gospel, soul, blues, folk, and Americana.  Lyrically, the civil rights icon is still fighting the good fight but recognizes that she has limitations and that she’s still called to love her enemy.  Mavis Staples’ legacy is already well-established, and this album is probably not going to be what she’s remembered for, but nevertheless it is great to have her voice confront the issues of our times.

Rating:  ***1/2

Album Review: Utopia by Björk


AlbumUtopia
Artist: Björk
Release Date: 24 November 2017
Favorite Tracks: “Arisen My Senses,” “Blissing Me,” “The Gate,” and “Tabula Rasa”
Thoughts: The latest release from Björk is a dense aural soundscape with the singer’s notable voice layered over musical instruments, electronic noises, and sound effects.  The first three songs are the strongest, with the rest of the album hard to differentiate, although I do like “Tabula Rasa” simply for the novelty of hearing Björk swearing like a sailor. The down tempo nature of the music combined with bird and whale calls makes it all feel like an elaborate nature sounds relaxation tape.  I miss how Björk would incorporate upbeat melodies and dance rhythms into her earlier recordings.  Nevertheless, if you like Björk, this is more of Björk being Björk, and than can never be a bad thing.
Rating: ***

Book Review: The Buried Giant by Kazuo Ishiguro


Author: Kazuo Ishiguro
TitleThe Buried Giant
Narrator: David Horovitch
Publication Info: Random House Audio (2015)

Previously read by the same authorA Pale View of HillsAn Artist of the Floating World, and  The Remains of the Day 
Summary/Review:

I went through a phase in the 1990s when I read every Kazuo Ishiguro book up to that point. Since then, I’ve completely failed to read any of his new books as they were released.  I decide to make up for that by reading his most recent novel.  While his earlier works are set in the 20th century and have first-person narrators reflecting on their interior lives, and the melancholy of everyday life, this novel is quite different.  The Buried Giant is set in England at a time after the Saxon invasion when the Britons and Saxons are living side-by-side in an uneasy peace.  The novel focuses on an elderly Briton couple, Axl and Beatrice, who have low social status in their community and are suffering from a forgetfulness that’s plaguing the land.  They decide to visit a son that they vaguely recall living in another community, and as they set off on their journey, the seemingly historical fiction begins to take on elements of fantasy.  King Arthur lived and reigned in recent memory and the meet his aged nephew Sir Gawain as well as a Saxon warrior Wistan, and a boy named Edwin who is feared to have been bitten by an ogre.  Others encountered on their journey are a mysterious ferryman, duplicitous monks, and the she-dragon Querig who is responsible for the mist that is causing the forgetfulness. As memories returns, the characters begin to question if they want to remember as forgetting has helped them heal and put aside guilt.  It’s a deeply meditative and atmospheric book that works as a fantasy story and a highly symbolic parable.

Recommended booksThe Sword in the Stone by T. H. White, Company of Liars by Karen Maitland
Rating: ***1/2

Podcasts of the Week Ending November 25


Re:sound :: The Meet the Composer Show

Is there a difference between a producer and a composer in modern music?  This question and more are explored in this enlightening episode.

60-Second Science :: Salmon Sex Changes Entire Landscape

Come for the intriguing headline, stay for the fascinating geographical science!

Hidden Brain :: An American Secret: The Untold Story Of Native American Enslavement

A history of Native Americans being held as slaves even when that practice was technically illegal.

99% Invisible :: Money Makers

Filmmakers hoping to depict large amounts of U.S. currency on screen run into a problem that if their prop money looks too realistic they could be found guilty of counterfeiting, leading to many improvisations, including using old Mexican pesos.

 

Song of the Week: “Best Friend” by Sofi Tukker


Sofi Tukker is a New York City based dance pop duo consisting of Sophie Hawley-Weld and Tucker Halpern.  You may have heard it before because apparently it’s being used in commercials, but since I don’t have tv I’ve come to it with no preconceptions.  Anyhow, a song about friendship is ideal for Thanksgiving weekend, and it also has some nice beats.

 

 

Book Review: Gypsies of New Rochelle by Ivan Jenson


AuthorIvan Jenson
TitleGypsies of New Rochelle
Publication Info: Michelkin Publishing (2017)
Summary/Review:

I received an advance reading copy of this book through the Library Thing Early Reviewers program.

I gave up on reading this novel about 40% through.  The novel set in 1980 is narrated by 17 y.o. Shawn Aldridge, the youngest member of an eccentric family that recently moved from the midwest to the New York City suburb.  All of the children are expected to accomplish something great, but most of the family’s hopes are pinned on Shawn’s sister Nora becoming a concert violinist, leaving the other children to work out their resentment and inadequacy in other (supposedly comic) ways.  Shawn, an irritating narcissist, sees himself as a sensitive poet and spends much of his time taking the train to New York where he dates an exotic dancer, while simultaneously dating a typical middle-class suburban girl in New Rochelle.  The characters frequently stereotype others, and the author’s voice seem to agree with them.  The dialogue is stilted and unbelievable. Really everyone in this book is loathsome, and while it’s possible to have a novel with no sympathetic characters, you have to be a better writer than this.  I’m not surprised to look at Amazon and see this book compared to Augusten Burroughs’ Running With Scissors, because I hated the movie adaptation of that book for many of the same reasons I hate this book.

Favorite Passages:

“Now, there were two sides to this family. One was playful, fun, drunken and the other was desolate and desperate. At any given moment I could not tell which side was going to win out. The dark or the light.” – (Kindle Locations 134-135).

Rating: *

TV Review: Stranger Things (2017)


TitleStranger Things
Release Dates: 2017
Season: 2
Number of Episodes: 9
Summary/Review:

When Stranger Things appeared on Netflix seemingly out of nowhere last year, it was the surprise hit of the summer.  Stranger Things 2 came with huge expectations, and I’m happy to see mostly lives up to them.

The strengths of Stranger Things is that it uses the tropes of horror and suspense films to explore issues like trauma, grief, friendship, and facing mortality.  The multi-episode set-up also allows it to delve into developing characters more than the films it emulates.  Plus, it has a terrific cast, especially the youngest actors, who continue to impress.

The nine episodes of the second season easily split into three sections.  Episodes 1-3 feel very much a continuation of the first season with the characters still dealing with the after effects of what happened a year earlier.  Episodes 3-6 raise the stakes, both with the growing threat of the Shadow Monster and Eleven discovering her own past.  Episodes 7-9 really take a left turn from anything we’ve come to expect from Stranger Things, most especially in the controversial episode 7 “The Lost Sister” which features only Eleven/Jane from the regular cast as she visits Chicago to meet up with a gang led by another young woman with powers from the Hawkins Lab.  I’m glad the Duffer Brothers decided to experiment and push the limits of the show, although I also have some problems with the episodes that I’ll go into later.

The second season introduces several new characters.  Bob Newby is Joyce’s nerdy new boyfriend played by Sean Astin, which is a direct tie to one of the 1980s movies that influenced this show, The Goonies.   I never saw that movie, but I thought that Bob had a lot in common with another Astin character, Samwise Gamgee from The Lord of the Rings, in the way that both Bob and Sam loyally help out the best they can and show surprising bravery even when they don’t know what’s going on around them.  Bob is a charming character and a great addition to the show.  Paul Reiser, known for his duplicitous character in Aliens, plays the Dr. Sam Owens who has taken over leading the Hawkins Lab.  It was an interesting decision to have Hopper, Joyce, & Will forming an uneasy détente, and Owens lends a funny, more compassionate face to the lab, but since he’s played by Reiser, you trust him anyway.  Finally, there are the step siblings Max and Billy, played by Sadie Sink and Dacre Montgomery.  Max is a new addition to our party of nerdy middle schoolers, and I thought Sink did a great job with developing Max in limited time.  Billy is the new bully in town, and Montgomery plays him convincingly creepy, but he seems one-note especially for Stranger Things which is usually better at letting characters develop organically.

If there’s one major problem of this series is that all the new characters and multiple plot lines happening at once make the show feel crowded and it works against Stranger Things strengths.  That being said, there was some great development for returning characters as well.  Will was missing for most of Season 1, so it’s a revelation to see that Noah Schapp is just as good an actor as his contemporaries and really sells Will’s fear, confusion, and possession.  It was also great to see Dustin and Lucas develop, really showing that they’re growing up, and getting to see into their homes and meeting their families for the first time.  Steve Harrington, the first season bully, has now fully transitioned from his experiences into a “great babysitter” leading the youngest characters against the demodogs and winning the hearts of Tumblr fans everywhere.

On the downside, Finn Wolfhard’s Mike seems underused this season, although his delivery of the line “It was the best thing I’ve ever done” was the most tearjerking moment of the season.  Similarly, Natalia Dyer’s Nancy and Charlie Heaton’s Jonathan have a subplot that’s okay but just doesn’t seem as interesting as what those characters could be doing.  Then there are some out of character moments. It seems unlikely that a smart kid like Dustin would continue to protect D’art after he knew it was from the Upside Down.  And I don’t think Eleven would be jealous of Max to the point of hurting her.  It would’ve made more sense if she overheard a conversation of how Mike and his friends were still in danger from the Hawkins Lab and that helped prompt her journey of self-discovery.

Which leads us to the final three episodes.  I can understand why people don’t like “The Lost Sister,” although I also understand and appreciate what The Duffer Brothers were doing.  It was good to take a risk and try to expand what was happening in Hawkins into the larger world as part of Eleven’s story, but for Stranger Things, it was rather trite.  Kali’s gang were a note-perfect recreation of a 1980s movie idea of a punk rock gang, but that was it, there was no effort to develop these people as real characters.  And Eleven’s Yoda-style tutelage under Kali happened so quickly that I can understand why a lot of viewers felt it was unnecessary to happen at all.   The final two episode have a lot happening and it seems that a lot of the dialogue is reduced to the characters providing exposition for the audience.  By this point, Stranger Things has developed their characters enough to coast on plot conveniences, but I thought the way that everyone came together in the conclusion of the first season happened more naturally.

The final moments at the school dance are charming and well-earned, and are built on what this show does best.  While there was some unevenness in the second season, overall I’m pleased, and I’m glad there will be another season.  There’s a lot of stories that can built on in future seasons, especially if they work on Eleven/Jane integrating into everyday society for the first time.  I also have many questions that may or may not be answered.

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