PHOTO PROMPT © Liz Young
50 Years, 50 Albums (2021): In These Silent Days by Brandi Carlile
I will turn 50 in November of this year, so my project for 2023 will be to listen to and review one album from each year of my life, 1973 to 2022. The only qualification is that it has to be an album I’ve not reviewed previously.
2021
Top Grossing Albums of 2021:
- Evermore – Taylor Swift
- Folklore – Taylor Swift
- BE – BTS
- Sour – Olivia Rodrigo
- Fearless (Taylor’s Version) – Taylor Swift
Grammy Award for Album of the Year of 2021:
- We Are – Jon Batiste
- Love For Sale – Tony Bennett and Lady Gaga
- Justice – Justin Bieber
- Planet Her – Doja Cat
- Happier Than Ever – Billie Eilish
- Back of My Mind – H.E.R.
- Montero – Lil Nas X
- Sour – Olivia Rodrigo
- Evermore – Taylor Swift
- Donda – Kanye West
Other Albums I’ve Reviewed from 2021:
- 30 – Adele
- Things Take Time, Take Time – Courtney Barnett
- Cavalcade – black midi
- Long Day in the Milky Way – Kris Delmhorst
- Tell Me I’m Bad – Editrix
- Three Little Words – Dominique Fils-Aimé
- American Head – Flaming Lips
- Shore – Fleet Foxes
- They’re Calling Me Home – Rhiannon Guiddens
- One More Saturday Night – The Halluci Nation
- The Beginning, the Medium, the End and the Infinite – IKOQWE
- Let Me Do One More – illuminati hotties
- Jubilee – Japanese Breakfast
- The Moon and Stars: Prescriptions for Dreamers – Valerie June
- Sound Ancestors – Madlib
- Afrique Victime – Mdou Moctar
- Palberta5000 – Palberta
- Welcome 2 America – Prince
- Really From – Really From
- Valentine – Snail Mail
- Good Woman – The Staves
- Structure – Water From Your Eyes
Album: In These Silent Days
Artist: Brandi Carlile
Release Date: October 1, 2021
Label: Low Country Sound | Elektra
Favorite Tracks:
- Right on Time
- Broken Horses
- Mama Werewolf
- When You’re Wrong
Thoughts:
I had only a vague awareness of Brandi Carlile as someone who is sort of a country artist but know a lot of people whose taste I respect like her. “Sort of a country artist” is more accurate than I realize, since her music sounds more like Americana and Folk Rock with a pop sheen. In fact, some of her songs have the building tension and drama that I think would make her a good collaborator with Jim Steinman (as far as I can tell, this never happened). Whether it’s a huge number or a quiet ballad, all of the songs on this album have a big sound to them that I appreciate as well as strong vocals and thoughtful lyrics. I definitely will have to listen to more Brandi Carlile music.
Rating: ***1/2
TV Review: Star Trek: Picard (2023)
Title: Star Trek: Picard
Release Date: February 16-April 20, 2023
Production Company: Secret Hideout | Weed Road Pictures | Escapist Fare | Roddenberry Entertainment | CBS Studios
Episodes: 10
Summary/Review:
For the third season of Picard, the powers that be determined to give the fans what they want, reuniting Picard with the crew from The Next Generation. I’ve seen this season described as the sendoff to the Next Generation crew that we never got in the films. I agree with that assessment, although it’s not quite the high quality of the send off to the original series crew in Star Trek VI or even “All Good Things…”, the finale of The Next Generation.
Jonathan Frakes, Gates McFadden, Michael Dorn, Marina Sirtis, and LeVar Burton all return to their original roles as Will Riker, Dr. Beverly Crusher, Worf, Deanna Troi, and Geordi La Forge. Brent Spiner, who has played various characters throughout Picard, portrays a new version of Data. To make room for the old crew, only a couple of characters from the Picard cast return: Seven of Nine (Jeri Ryan) and Raffi Musiker (Michelle Hurd). Since Chris Rios stayed in the 21st century and Agnes Jurati turned into a Borg Queen in season 2, it makes sense that their characters don’t return (although a friendly Borg Queen may have been helpful in this story). There probably weren’t any more stories that could be told with Isa Briones’ characters either. But, I do miss Evan Evagora as Elnor, especially since he was underused in season 2.
The production of season 3 really leans into it being a sequel to The Next Generation. The music, the title sequence, and other details are all changed to tie into the older series. While obviously an exercise in nostalgia, I think they’ve done a decent job in balancing pleasing the crowd with telling an original story.
Related Posts:
- Star Trek: The Original Series season one
- Star Trek: The Original Series season two
- Star Trek: The Original Series season three
- Star Trek: Discovery season one
- Star Trek: Discovery season two
- Star Trek: Picard season one
- Star Trek: Picard season two
- Star Trek: Lower Decks season one
- Star Trek: Discovery season three
- Star Trek: Strange New Worlds season one
WARNING: The episode summary reviews below the read more tag assume familiarity with the episodes and thus are full of spoilers.
TV Review: Star Trek: Picard (2022)
Title: Star Trek: Picard
Release Date: March 3 – May 5, 2022
Production Company: Secret Hideout | Weed Road Pictures | Escapist Fare | Roddenberry Entertainment | CBS Studios
Episodes: 10
Summary/Review:
I watched the first season of Picard two years ago and didn’t like it. I hated seeing one of my favorite characters inserted into a grimdark serial melodrama full of dramatic plot twists and questionable characterization. This year I’ve heard that the third season of Picard is really good and the send of to the Star Trek: The Next Generation crew that we never got after Star Trek: Nemesis flopped. I could probably skip season two of Picard, but my linear mind feels to compelled to watch it before watching season three. So, let’s hope this is worth it!
Well, I don’t know if it was worth ten hours of my life, but it was fine. It’s kind of a greatest hits of Star Trek: The Next Generation Picard stories – there’s the Borg, Q, Guinan, Time Travel, the Picard family, and even Wesley Crusher! There’s a good story in here although it’s unfortunately stretched out into a 10-episode serial. That means that there are cliffhangers, dramatic plot twists, and a whole lot of filler that seems to be required in modern streaming media.
The cast from the first series all return with Alison Pill as Agnes Jurati, Jeri Ryan as Seven of Nine, Michelle Hurd as Raffi Musiker, Evan Evagora as Elnor, Orla Brady as Laris, and Santiago Cabrera as Chris Rios. Isa Briones and Brent Spiner also return to play different characters related to their first season characters. I feel this “family” has become familiar and I like their interactions and characterizations even if the screenplay puts them in increasingly absurd situations. The one exception is Pill, who I don’t know if she’s a bad actor or just particularly badly written but her character and story arc just annoy me.
So, I got that out the way, bring back the reunion of the Enterprise-D crew!
Related Posts:
- Star Trek: The Original Series season one
- Star Trek: The Original Series season two
- Star Trek: The Original Series season three
- Star Trek: Discovery season one
- Star Trek: Discovery season two
- Star Trek: Picard season one
- Star Trek: Lower Decks season one
- Star Trek: Discovery season three
- Star Trek: Strange New Worlds season one
WARNING: The episode summary reviews below the read more tag assume familiarity with the episodes and thus are full of spoilers.
TV Review: Star Trek (1968-1969)
Title: Star Trek
Release Date: September 20, 1968 – June 3, 1969
Production Company: Paramount Television
Episodes: 24
Summary/Review:
The common wisdom among Star Trek fans is that the series’ third and final season is the worst. And yet, there are some diamonds among the rough. When I was watching the show in syndication as a kid, I seemed to catch a lot of third season episodes multiple times and still ended up loving Star Trek (at the other end of the spectrum I heard about classic episodes like “The Trouble With Tribbles” for years before I got to see it for the first time).
There are a lot of reasons for the decline of quality including Paramount taking over Desilu Studios and their execs hating Star Trek, NBC moving the show to a deadend time slot, and the departure of several key creative minds behind the show. William Shatner is genuinely a talented actor, but his response to bad scripts was to ham it up and thus his third season performances forever tainted him as an overactor.
That being said, I found this series has a lot of great science fiction premises and storytelling ideas. They are not always executed well, but I give everyone involved an A for effort for trying new things at the same time resources were being slashed. The season also features a significant number of scripts written by women and prominent guest roles for women actors. Star Trek wasn’t always great in addressing sexual equality but this was a definite sign of progress. Of course, maybe the most important thing about the third season is that it gave Star Trek enough episodes to go into syndication. Without it, Star Trek may never have become a phenomenon and I wouldn’t be writing about it right now.
My five favorite episodes in Season 3:
- Day of the Dove
- The Tholian Web
- Spectre of the Gun
- All Our Yesterdays
- The Empath
And the biggest stinker: And the Children Shall Lead
Below the Read More, I’ve written up short reviews of each episode with a letter grade. These reviews assume some familiarity with the episode and are full of spoilers
Related Posts:
- Star Trek: The Original Series season one
- Star Trek: The Original Series season two
- Star Trek: Discovery season one
- Star Trek: Discovery season two
- Star Trek: Picard season one
- Star Trek: Lower Decks season one
- Star Trek: Discovery season three
- Star Trek: Strange New Worlds season one
Song of the Week: “Jacaranda” by Sivan Levy
Sivan Levy – Jacaranda
Israeli dream pop artist Sivan Levy’s song “Jacaranda” is a track off her most recent EP release SIDE:S.
Songs of the Week for 2023
January
- “Happiness” by THICK
- “Abathembu” by uKhoiKhoi
- “Blood Rushes” by CIVIC
- “Doomscrollers” by Quasi
- “Fold” by Bonobo & Jacques Greene
February
- “Go Dig My Grave” by Lankum
- “Tokyo Dub Story” by Gezan & Million Wish Collective
- “MA EMILY (featuring Rapsody)” by C.S. Armstrong
- “All of the Time in the World to Kill” by The Milk Carton Kids
March
- “False Spring” by Shelli Le Fay
- “Barley” by Water From Your Eyes
- “exodus the north star” by Yaya Bey
- “Grey Eagle” by Mighty Poplar
April
- “My My Orca Card” by Who Is She?
- “Pop Song Baby” by MEDIOCRE
- “Too Many Things” by The Linda Lindas
- “Consumerism” by Acid Tongue
May
- “Freak Me Now” by Jessie Ware
- “Journeyman” by The Baseball Project
- “Roll the Credits” by Danielle Ponder Hannah Jadagu
- “What You Did” by Hannah Jadagu
- “Star” by CERES
June
- “Kristine From the 7th Grade” by Ben Folds
- “Lima” by Rocket Empire
- “Eliza, I See” by Darlingside
- “Vine” by Glasser
July
- “Cellar” by Sea Lemon
- “hot blue summer” by dayaway
- “Tumbling Dice” by Little Dragon
- “ETA” by NewJeans
- “Jacaranda” by Sivan Levy
Movie Review: Barbie (2023)
Title: Barbie
Release Date: July 21, 2023
Director: Greta Gerwig
Production Company: Heyday Films | LuckyChap Entertainment | NB/GG Pictures | Mattel Films
Summary/Review:
“To be honest, when I found out the patriarchy wasn’t about horses I lost interest.”
Some might say this movie is just a promo by a big corporation for a toy, but Barbie has been a significant cultural artifact since the doll’s introduction 64 years ago. In the hands of Greta Gerwig (Lady Bird, Little Women), I figured the movie would be a lot of fun with some sociological messages worked in, and I was correct.
In the movie, Barbie (Margot Robbie, often referred to as “Stereotypical Barbie” because she’s the standard model) has an existential crisis. She learns she has to leave Barbieland for the Real World to find the girl who is playing with her, reluctantly allowing Ken (a.k.a “Beach Ken,” Ryan Gosling) to accompany her. She meets up with Gloria (America Ferrera), a woman estranged from her teenage daughter Sasha (Ariana Greenblatt) and they begin to help one another.
I won’t go into too much detail to avoid spoilers, but the underlying themes of the film deal with feminism through the lens of Barbie. The denizens of Barbieland believe they have solved the Real World’s problems by empowering women but reality is of course very different. The movie deals pretty well with the positive and negative effects fashion dolls like Barbie have on society. Through Ken’s story, we see that feminism is also for men as his story arc is akin to a teen boy being radicalized by Men’s Rights Activists, before he ultimately realizes self-actualization.
The cast of the movie is strong especially with the various versions of Barbie and Ken. I’m particularly fond of Weird Barbie (Kate McKinnon) and Allan (Michael Cera), a discontinued “friend of Ken” character. Lizzo’s musical commentary and Helen Mirren’s droll narration are also well done. And the dance number lead by Gosling and Simu Liu as competing Kens is a showstopper! On the downside, Will Ferrell’s role as the CEO of Mattel feels kind of extraneous and derivative of the character he played in The LEGO Movie.
Barbie the movie isn’t perfect, but as we learn from this film, perfection is not an attainable goal. It is great as a fun summer blockbuster that makes you think as well.
Rating: ***1/2
DEEP DIVES – Album Review: Diamonds and Pearls by Prince and The New Power Generation
I am doing a deep dive into the work of the musical artist Prince. Each week until December I will post my thoughts on albums released by Prince (and his bands and side projects) focusing on one year of his career.
This week I’m focusing on Diamond and Pearls from 1991.
Album: Diamonds and Pearls
Artist: Prince and The New Power Generation
Release Date: October 1, 1991
Label: Paisley Park | Warner Bros.
Favorite Tracks:
- Thunder
- Cream
- Willing and Able
- Gett Off (with Eric Leeds)
- Jughead
- Money Don’t Matter 2 Night
Thoughts:
Diamond and Pearls sounds more like a band album than anything from the Revolution. New Power Generation didn’t have a steady lineup, but they also existed and recorded outside of backing up Prince. Most significantly, Tony M took the lead on the rap verses which become more significant in Prince’s music at this time. The influence of New Jack Swing is also significant on this album. The singles “Cream” (which was Prince’s final Number One song) and “Gett Off” were instant classics, and “Money Don’t Matter 2 Night” is also pretty great. There’s nothing bad about the rest of the album but nothing else really stands out either. It feels weird that someone as talented as Prince is making music that is actually quite good but somehow feels less because it doesn’t hold up with his 80s masterpieces.
Rating: ***1/2
For You | 1978 | *** | |
Prince | 1979 | ***1/2 | |
Dirty Mind | 1980 | **** | |
Controversy | 1981 | **** | |
1999 | 1982 | Prince and the Revolution | ***** |
Purple Rain | 1984 | Prince and the Revolution | ***** |
Around the World in a Day | 1985 | Prince and the Revolution | **** |
Parade | 1986 | Prince and the Revolution | **** |
Sign “☮︎” the Times | 1987 | ****1/2 | |
8 | 1987 | Madhouse | *** |
16 | 1987 | Madhouse | ***1/2 |
Lovesexy | 1988 | ***1/2 | |
Batman | 1989 | *** | |
Graffiti Bridge | 1990 | ***1/2 | |
Diamonds and Pearls | 1991 | Prince and the New Power Generation | ***1/2 |
Love Symbol | 1992 | Prince and the New Power Generation | |
Goldnigga | 1993 | The New Power Generation | |
Come | 1994 | ||
The Black Symbol | 1994 | ||
The Gold Experience | 1995 | ||
Exodus | 1995 | The New Power Generation | |
Chaos and Disorder | 1996 | ||
Emancipation | 1996 | ||
Kamasutra | 1997 | The NPG Orchestra | |
Crystal Ball | 1998 | ||
The Truth | 1998 | ||
Newpower Soul | 1998 | The New Power Generation | |
The Vault: Old Friends 4 Sale | 1999 | ||
Rave Un2 the Joy Fantastic | 1999 | ||
The Rainbow Children | 2001 | ||
One Nite Alone… | 2002 | ||
One Nite Alone… Live! | 2002 | ||
Xpectation | 2003 | ||
N-E-W-S | 2003 | ||
Musicology | 2004 | ||
The Chocolate Invasion | 2004 | ||
The Slaughterhouse | 2004 | ||
C-Note | 2004 | ||
3121 | 2006 | ||
Planet Earth | 2007 | ||
Indigo Nights | 2008 | ||
Lotusflow3r/MPLSound | 2009 | ||
20Ten | 2010 | ||
Plectrumelectrum | 2014 | with 3rdeyegirl | |
Art Official Age | 2014 | with 3rdeyegirl | |
HITnRun Phase One | 2015 | ||
HITnRun Phase Two | 2015 |
50 Years, 50 Movies (2019): Uncut Gems
I will turn 50 in November of this year, so my project for 2023 will be to watch and review one movie from each year of my life. The only qualification is that it has to be a movie I’ve not reviewed previously.
2019
Top Grossing Movies of 2019:
- Avengers: Endgame
- The Lion King
- Frozen II
- Spider-Man: Far from Home
- Captain Marvel
Best Picture Oscar Nominees and Winners of 2019:
- Parasite
- Ford v Ferrari
- The Irishman
- Jojo Rabbit
- Joker
- Little Women
- Marriage Story
- 1917
- Once Upon a Time In Hollywood
Other Movies I’ve Reviewed from 2019:
- 63 Up
- Apollo 11
- Apollo: Missions to the Moon
- Booksmart
- Extra Ordinary
- The Farewell
- For Sama
- The Further Adventures of Walt’s Frozen Head
- Just Mercy
- Klaus
- Knives Out
- Knock Down the House
- Lady and the Tramp
- The Last Black Man in San Francisco
- The Lighthouse
- Midsommar
- Portrait of a Lady on Fire
- See You Yesterday
- Sorry We Missed You
- Star Wars: The Rise of Skywalker
- Toy Story 4
- Us
- When They See Us
- Wild Nights With Emily
Title: Uncut Gems
Release Date: December 13, 2019
Director: Josh Safdie & Benny Safdie
Production Company: A24 | Elara Pictures | IAC Films | Sikelia Productions | Scott Rudin Productions
Summary/Review:
This movie begins with Howard Ratner (Adam Sandler) receiving a colonoscopy and that is the most relaxed we ever see him. Howard runs a jewelry business in New York’s Diamond District and is a compulsive gambler. Howard acquires a rare black opal from Ethiopia which he hopes to auction off in order to pay off his gambling debts. During the course of the film, Howard loan the opal to Boston Celtics basketball star Kevin Garnet (himself) who believes it brings him luck, canoodles and then fights with his mistress Julia (Julia Fox), attempts to reconcile with his wife Dinah (Idina Menzel) who wants a divorce, pawns items to gain money for his ill-advised bets, parties with The Weeknd (himself), and tries to avoid his loan shark brother-in-law Arno (Eric Bogosian) and his hired goons.
This a movie about loud and abrasive New Yorkers, and true to life of the loud and abrasive New Yorkers I know, they never stop shouting over one another the entire film. It’s also a very Jewish film as themes of cultural Judaism are woven through the plot (although, even as a non-Jewish person even I know that Passover is over before the NBA playoff semifinals, but it’s dramatic license). Sandler puts in an excellent performance that’s worlds away from his grossout comedies. Howard is a complete and total asshole, and a self-destructive one at that, but Sandler gives him the personality that makes you still want to pull for him.
Rating:
Friday Fictioneers – The next great poet of their generation makes a statement
PHOTO PROMPT © Jennifer Pendergast